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American hip hop duo

Outkast
Outkast performing in 2001

Outkast performing in 2001
Background information
Also known equally Ii Shades Deep
Origin Atlanta, Georgia, U.S.
Genres
  • Southern hip hop[1]
  • progressive rap[2]
Years active 1992–2007, 2014
Labels
  • Purple Ribbon
  • LaFace
  • Arista
  • RCA
  • Ballsy
Associated acts
  • Dungeon Family
  • Goodie Mob
  • Mr. DJ
  • Purple Ribbon All-Stars
  • Organized Noize
  • Fifty.A. Reid
  • Babyface
Website outkast.com
Past members
  • André 3000
  • Big Boi

Outkast (sometimes written equally OutKast) was an American hip hop duo formed in 1992 in E Point, Georgia, consisting of Atlanta-based rappers André "3000" Benjamin (formerly known every bit Dré) and Antwan "Big Boi" Patton.[1] Widely recognized for their intricate lyricism, memorable melodies and positive messages,[3] Outkast is frequently regarded equally one of the greatest and most influential hip hop acts of all time.[iv] [v] [6] [7] The duo accomplished both critical acclamation and commercial success from the mid-1990s to the early 2000s, helping to popularize Southern hip hop[ane] while experimenting with various genres such every bit funk, psychedelia, jazz, and techno.[8] [nine]

Benjamin and Patton formed the grouping as high schoolhouse students in 1992. Outkast released their debut album Southernplayalisticadillacmuzik in 1994, which gained popularity after the single "Player's Brawl" reached number one on the Billboard Hot Rap Tracks nautical chart. With successive releases including ATLiens (1996) and Aquemini (1998), the duo farther developed their sound, experimenting with a multifariousness of styles and achieving commercial success. In 2000, Outkast released the critically acclaimed Stankonia, which included the singles "Ms. Jackson" and "B.O.B."

In September 2003, the duo released the double album Speakerboxxx/The Love Beneath, which featured the number one singles "Hey Ya!" and "The Mode You Motility." The album won the Grammy Award for Album of the Twelvemonth and was certified Diamond by the Recording Industry Clan of America. Outkast next released the soundtrack for the 2006 musical film Idlewild, which they besides starred in. In 2007, the duo went on hiatus and both members take since pursued solo careers. In 2014, Outkast reunited to celebrate their 20th ceremony by performing at more than twoscore festivals worldwide, beginning at the Coachella Festival in April.[x]

The duo is i of the well-nigh successful hip hop groups of all time, having received vi Grammy Awards. Rolling Stone ranked them No. 7 on its listing of the 20 Greatest Duos of All Time.[11] Between six studio albums and a greatest hits release, Outkast accept certified sales totaling over 20 million records. Meanwhile, they have garnered widespread critical acclaim, with publications such as Rolling Stone and Pitchfork Media listing albums such as Aquemini and Stankonia among the best of their era.

History [edit]

1992–1995: Formation and debut [edit]

André 3000 and Big Boi met as teenagers at Atlanta's Lenox Square shopping center (pictured).

Benjamin and Patton met in 1992 at the Lenox Foursquare shopping mall when they were both sixteen years former.[12] The two lived in the E Point section of Atlanta and attended Tri-Cities High School.[12] [xiii] During school, Benjamin and Patton participated in rap battles in the cafeteria.[12] Benjamin's parents were divorced and he was living with his father. Meanwhile, Patton had to move with his 4 brothers and half-dozen sisters from Savannah to Atlanta. Benjamin and Patton somewhen teamed up and were pursued by Organized Noize, a group of local producers who would subsequently make hits for the R&B girl group TLC.[one] The duo initially wanted to exist chosen "2 Shades Deep" or "The Misfits", but because those names were already taken they later decided to utilize "Outkast" based on finding "outcast" equally a synonym for "misfit" in a lexicon.[xiv] Outkast, Organized Noize, and schoolmates Goodie Mob formed the nucleus of the Dungeon Family organization.

Outkast signed to L.A. And Babyface banner prior to graduation[xv] which would later become LaFace Records in 1992, becoming the label'due south first hip hop act and making their first appearance on the remix of labelmate TLC's "What Virtually Your Friends". During the vacation season of 1993, they released their first single, "Role player's Ball". The song's funky style, much of it accomplished with live instrumentation, was a hit with audiences. It hit number-one on the Billboard Hot Rap Tracks chart.[1] "Player's Brawl" besides topped the R&B charts for six weeks.[16]

Their debut album, Southernplayalisticadillacmuzik, was issued on April 26, 1994. This initial attempt is credited with laying the foundation for southern hip hop and is considered a classic past many. Every track on Southernplayalisticadillacmuzik was produced by Organized Noize and featured other members of the Dungeon Family. Follow-upwardly singles included the title track and "Git Up Git Out", a politically charged collaboration with Goodie Mob that was later sampled by Macy Gray for her 1999 hitting "Do Something." On this early on cloth, both André and Large Boi contrast lyrical content reflecting the lifestyles of pimps and gangsters with politically conscious material commenting on the condition of African Americans in the South. OutKast won Best New Rap Group at the Source Awards in 1995.[i] Within the mess that was the East Declension - West Coast feud, André came upwardly on stage followed past boos from the oversupply and said, "But it's like this though, I'one thousand tired of them airtight-minded folks, it's like nosotros gotta demo tape only don't nobody desire to hear it. Just it's similar this: the South got something to say, that'south all I got to say." As eloquently stated by rapper T.I., "Outkast, flow. Outkast. That'south when information technology changed. That was the kickoff fourth dimension when people began to accept Southern rap seriously."[17] In the same yr, the grouping contributed "Benz or a Beamer" to the pop New Jersey Drive soundtrack.

1995–1999: Breakthrough with ATLiens and Aquemini [edit]

Later on Southernplayalisticadillacmuzik was certified platinum, LaFace Records gave Outkast more creative control and advanced money for their follow-up album, which they recorded from 1995 to 1996.[eighteen]

The duo took the opportunity to recreate their image. On a trip to Jamaica with producer Mr. DJ, the two decided to abandon their cornrow hairstyles in favor of a more natural aesthetic, vowing to terminate combing their hair.[19] Dungeon Family member Big Rube observed an increase in the duo'south confidence afterwards returning from their first bout, remarking, "They started understanding the ability they had in their music. They started showing a swagger that certain artists have—the ones that are stars."[20] The ii also became more accepted to playing live, specially Big Boi, and André 3000 significantly changed his lifestyle, as he adopted a more than eccentric way sense, became a vegetarian, and stopped smoking marijuana.[21] The members also underwent changes in their personal lives; in 1995, Big Boi's girlfriend gave nascency to their first kid and André 3000 and Full's Keisha Spivey ended their 2-year relationship.[22]

The double platinum album, ATLiens, was released on August 27, 1996. The anthology exhibited a notably more laid-back, spacey product sound, taking influence from dub and reggae.[23] [24] On ATLiens, André 3000 and Big Boi abandoned the "hard-partying playa characters" of their debut album in favor of more than spacey, futuristic personas, and produced many of the songs on their own for the first fourth dimension.[22] [25] Their tracks have an outer-space feeling to them- a feeling that, ironically, has warmed the customs correct up to them.[26] Critics praised the group'due south maturing musical style on the record, which debuted at number two on the U.Due south. R&B/Hip Hop nautical chart. The album would climb to number 3 on Billboard's top [27] Billboard 200 chart and sold nearly 350,000 copies in its first two weeks of release.[28] [29] The single "Elevators (Me & You)" reached number 12 and spent 20 weeks on the Billboard Hot 100 chart.[xxx] ATLiens further solidified OutKast as the flagship representatives of the 1st generation Dungeon Family and the Southern hip hop move. The album helped the grouping earn more recognition amongst East Declension hip hop fans in the East and West coasts.[1]

For this album, Outkast joined with partner David "Mr. DJ" Sheats to class the Earthtone III production visitor, which allowed the group to produce some of their own tracks. "ATLiens" was the group's second Top 40 single (post-obit "Player's Ball" from their showtime album), and reflected the commencement of André's increasingly sober lifestyle:[31] "No drugs or alcohol/so I can go the signal clear," he rhymes about himself in the single "ATLiens".

Outkast'southward 3rd album Aquemini was released on September 29, 1998. Information technology was besides certified double platinum and reached the number-two position on the Billboard 200 anthology nautical chart in the United States; its title was a combination of the zodiac signs of Big Boi (an Aquarius) and André (a Gemini).[24] Producing more textile themselves, both Large Boi and André explored more than eclectic subject matter, delving into sounds inspired by soul, trip hop, and electro music. The album featured product by Organized Noize and collaborations with Raekwon, Slick Rick, funk pioneer and musical forebear George Clinton, and Goodie Mob. Outkast forged the connections between Hip Hop and the blackness freedom struggle with their controversial vocal "Rosa Parks" featured on the album.[32]

2000–2001: Stankonia and Greatest Hits [edit]

Originally titled 'Sandbox', the pair'southward fourth album, Stankonia was released in October 2000 to positive reviews. The anthology was seen equally a alter in the grouping's musical way, equally it had a more commercial and mainstream entreatment, compared to their previous 3 albums which were darker, both tonally and thematically. It debuted at number two on the Billboard 200 in the U.Southward., and would eventually be certified quadruple platinum. Stankonia'south first single was "B.O.B. (Bombs Over Baghdad)", a high-tempo-influenced record. The second single, "Ms. Jackson", combined a pop hook with lyrics about divorce and relationship breakups, peculiarly André'south breakdown with singer Erykah Badu; the titular "Ms. Jackson" graphic symbol being a doppelgänger for Badu'south female parent. It was at this time that André changed his stage name to the current "André 3000," by and large to avert being mixed up with Dr. Dre.

The single became their first pop hit, landing the number-ane position on the Billboard Hot 100 chart, and the number-two position on the UK Singles Chart. The album's last unmarried was the Organized Noize-produced "So Fresh, So Clean", featuring a credited guest appearance from regular guest vocalist and Organized Noize-member Sleepy Brown and garnered a remix featuring Snoop Dogg. All iii singles' videos had heavy MTV2 airplay, and OutKast won two 2001 Grammy Awards, 1 for Best Rap Operation by a Duo or Group for "Ms. Jackson", and another for Stankonia as Best Rap Album.[33]

Pitchfork named Stankonia the 4th greatest anthology released between 2000 and 2004 in its 2005 feature.[34] Afterwards the webzine selected Stankonia as the 13th best album of the 2000s. And B.O.B. was chosen number 1 song of the decade by this same webzine.[35]

In December 2001, Outkast released a greatest hits album, Large Boi and Dre Nowadays...OutKast, which also contained three new tracks. Ane of these new tracks was the single "The Whole Globe", which won a 2002 Grammy Award for All-time Rap Performance past a Duo or Group. Killer Mike as well was featured on the song, gaining some exposure amid areas outside of his native Atlanta. The other two new songs were called "Funkin' Effectually" and "Movin' Absurd (The Later on Party)".

2002–2004: Speakerboxxx/The Dearest Below [edit]

Outkast spent two years working on their fifth effort, earlier releasing a double album, Speakerboxxx/The Love Below, on September 23, 2003. It is essentially ii solo albums, one by each fellow member, packaged equally a single release under the Outkast banner; the two members also appear and co produce on each other'southward discs for a few songs apiece. Large Boi'south Speakerboxxx is largely a funk and Dirty Southward composite political party tape; André 3000'due south The Dearest Below features only brief instances of hip hop, presenting instead elements establish in funk, jazz, stone, electronic music, and R&B.[ane]

The album is also Outkast's biggest commercial success yet, having debuted on the Billboard 200 albums nautical chart at number-one and stayed at that place for several weeks. The album somewhen sold over five 1000000 copies, and, equally double-album sales count double for Recording Industry Association of America certification, the album was certified diamond for ten million units shipped in Dec 2004. Its latest certification, in May 2006, reaches 11 meg copies in shipping.[1]

The first two singles from the album(s), which were released near simultaneously, were Big Boi's "The Way You Movement" and Andre 3000's "Hey Ya!" The video's storyline has "The Dearest Beneath"—a fictional band with all members, through the use of special effects, played by André—performing in London. "Hey Ya!" was the number one song on the very final weekend of American Meridian 40 with Casey Kasem. It was also number one a week subsequently on the very first weekend of American Elevation xl with Ryan Seacrest. The singles spent x weeks at number one on the Hot 100 singles chart, with "Hey Ya!" spending ix weeks and "The Way You Move" taking over for one week in February 2004. These singles were seen equally a quantum for the hip-hop industry, being among the first hip-hop songs to exist widely played on developed contemporary radio stations.[1]

Outkast'due south next official single was non released until the summer of 2004. "Roses", a track featuring both members from The Love Beneath half of the anthology, did not meet the level of success as either of its predecessors, only information technology became a modest-sized hit on urban radio and the American music video networks. The video for "Roses" is loosely based on the musicals Westward Side Story and Grease. It featured sparring 1950s-way gangs, one representing Speakerboxxx, and one representing The Honey Beneath, parodying the widespread arguing amongst critics and fans as to which one-half of the album was better. It deviates from these musicals in its concluding human action, however, by featuring André 3000 defecating in a bouquet of roses before entering a Ramping Store and presenting them to the receptionist. This closing scene was nominated every bit a finalist for the BET "Realest Music Video of All Fourth dimension" award. The final singles were André 3000'due south "Paradigm", which was paired with a science fiction-themed video about alien visitors, and Speakerboxxx 's "Ghettomusick", which featured both members of Outkast and a sample from a song by Patti LaBelle, who also makes an appearance in the video.[1]

Speakerboxxx/The Beloved Below won the 2004 Grammy for Anthology of the Yr. OutKast was ane of the headlining acts at the testify, and gave ii performances: Big Boi performed "The Way You lot Move" with the Outkast backing band during a medley with Earth Wind & Fire, George Clinton and Robert Randolph, while André 3000 performed "Hey Ya!" as the show closer after they had been presented with the Album Of The Year Laurels.

Large Boi performing in 2006 in Atlanta

2005–2006: Idlewild [edit]

Members also began working on a joint film, Idlewild, directed by Outkast music video director Bryan Barber. Idlewild, a Prohibition-era musical film set to a blues-influenced hip-hop soundtrack, was released on August 25, 2006 by Universal Pictures. The Idlewild soundtrack was released August 22, 2006. In an interview for Billboard, Big Boi stated "This is an Outkast album. Information technology isn't similar a soundtrack where we go get this person or that person".[36]

Originally planned for early 2005, Idlewild 's release engagement was pushed to Dec 2005, before being delayed into 2006.[36] The anthology debuted at number two on the U.s. Billboard 200 nautical chart with first-week sales of 196,000 copies.[37] Information technology also entered at number one on Billboard 'south Tiptop R&B/Hip-Hop Albums,[38] at number one on the Height Rap Albums,[39] and at number ii on the Height Digital Albums chart.[40] The album dropped to number seven on the Billboard 200, selling 78,000 copies in its second week.[41] It spent nine weeks on the Billboard 200.[42] In the Uk, Idlewild debuted at number 16 on the UK Albums Nautical chart.[43] Information technology fell to number 28 in its 2d week on the chart.[44] While it charted inside the top-twenty in several other countries, the album spent a minimal number of weeks on most charts.[45] [46] On August 26, 2006, the album was certified platinum in sales by the Recording Industry Association of America, post-obit shipments in excess of 1 one thousand thousand copies in the United States.[47] It was certified gold in sales past the Canadian Recording Industry Association in Nov 2006.[48]

The first unmarried of the album, "Mighty 'O'", features both André 3000 and Big Boi; the vocal takes its lyrical hook from the Cab Calloway song "Minnie the Moocher" ("Mighty-ighty-ighty O") and seems to exist an example of the anthology's mix of hip hop and more traditional American jazz and blues. Adjacent, similar to previous Outkast albums such as Speakerboxxx/The Honey Beneath, two singles—i solely by Large Boi, the other solely by André 3000—were released simultaneously. The second single, nigh exclusively featuring Big Boi, is the marching band–influenced "Morris Brown", featuring invitee artists Sleepy Chocolate-brown and Scar, both artists on Big Boi'south Purple Ribbon label. The song's title is a reference to Atlanta's Morris Brown College, with the school'south marching band providing the instrumentation.

The third single, André 3000'south "Idlewild Blue (Don'tchu Worry 'Bout Me)" delves into the blues genre, complete with a blues-mode acoustic guitar riff and a harmonica chemical element reminiscent of Aquemini single "Rosa Parks". In tune with the film, Idlewild reflects OutKast'southward original fashion tempered by 1930s influences. The fourth single, "Hollywood Divorce" was released in November 2006, and features verses from Lil' Wayne and Snoop Dogg and is produced past André 3000.

2007–2013: Hiatus and solo work [edit]

In 2007 after the sixth album under the Outkast name, Idlewild, Big Boi announced plans to release a full-fledged solo album. While he had released a previous solo anthology in Speakerboxxx, information technology nevertheless was technically under the Outkast name. The anthology was after titled Sir Lucious Left Foot: The Son of Chico Dusty. The album'south first promotional single, "Purple Flush", was released in 2007, and featured Raekwon and André 3000. Later on many delays and setbacks, the anthology was finally released internationally on July 5, 2010. Guest artists include singer Janelle Monáe; Big Boi's own new group Vonnegutt; plus established rappers T.I. and B.o.B.[49] Sir Lucious Left Foot: The Son of Chico Dusty received full general acclaim from well-nigh music critics, earning praise for its inventive sound, varied musical mode, and Big Boi'southward lyricism.[50] [51] In a July 2010 interview for The Village Vocalisation, Big Boi revealed that he was working on the follow-up album to Sir Lucious Left Human foot, entitled Daddy Fat Sax: Soul Funk Crusader, stating that he was "maybe about six songs into it",[52] and that he was "planning on doing a bunch of sax samples, tenor, soprano, and probably have at least a couple sax players come into the studio for the side by side record".[53] The project later on evolved into the 2012 album Vicious Lies and Dangerous Rumors.

André 3000 returned to rapping in 2007, after a hiatus from the genre, actualization on various remixes, including: "Walk It Out", "Throw Some D'southward", "You", Jay-Z'southward "30 Something", and original songs such equally UGK's "International Players Anthem", Devin the Dude'due south "What a Job", Fonzworth Bentley'due south "Everybody", and with Big Boi "Imperial Flush" and the leaked single "Lookin For Ya". He also appeared on John Legend'south album, Evolver, on the track "Light-green Light", which was released on October 28, 2008. Prior to the release, Benjamin commented: "It's going to be a surprise for a lot of John Legend fans, considering it is a lot more upbeat than John is—than people remember John is. I was actually happy to hear it. This is a cool John Legend song." Benjamin has stated that he is making a solo rap album, and that the response to his remixes is office of the motivation for it.[54] In September 2011 it was announced that Outkast was moved to Epic Records post-obit restructuring within Sony Music Amusement. Epic Records is headed past LA Reid who has worked with Outkast in the past.[55] In 2012, Andre 3000 was cast to play Jimi Hendrix in a biopic film titled Jimi: All Is past My Side, which was afterward released on September 26, 2014.

2014–present: Reunion, 2nd hiatus and Stankonia reissue [edit]

Outkast perform in New York City during their 2014 reunion

In belatedly 2013, it was reported that Outkast would reunite at the Coachella Valley Music and Arts Festival in 2014. This was afterward confirmed on Jan 8, 2014, when it was officially announced that the duo would headline the festival on April 11 and xviii.[56] It was later announced on Jan 13, 2014, that Outkast would be performing at more than than 40 festivals effectually the earth throughout leap and summer 2014 to celebrate their 20th anniversary, including one of the largest festivals in the UK, Bestival. Outkast returned to Atlanta for their #ATLast homecoming shows over the weekend of September 26, 2014, selling out within minutes of tickets going on auction. The shows had a large variety of openers, including R&B singer Janelle Monáe and rappers Child Cudi, 2 Chainz, Futurity, Bun B, and Childish Gambino. Outkast'southward Dungeon Family unit associates Sleepy Brownish and Big Gipp also appeared onstage with the duo, rapping and singing on their respective songs.[57] [58]

At Atlanta'south 1 MusicFest, the Dungeon Family unit, Goodie Mob, Organized Noise, Killer Mike, and Outkast appeared.[59]

Outkast performed their final show at Voodoo Music Feel in New Orleans on Oct 31, 2014.[threescore] The group then resumed their hiatus.

In October 2020, it was appear that Stankonia would be reissued on October 30, 2020, to commemorate the album's 20th anniversary. The digital reissue saw the anthology expanded with previously-unreleased remixes. The vinyl reissue features a new black and white galaxy gatefold double LP, as distributed past Vinyl Me Please.[61]

Musical style and influences [edit]

Outkast's musical style and lyrical content accept evolved throughout the grouping's career. Rolling Stone described their music as "idiosyncratic" and "inspired by the Afrocentric psychedelics" of George Clinton and Sly Stone,[62] and particularly by the psychedelic funk of Clinton's Parliament-Funkadelic collective.[63] The band's debut album Southernplayalisticadillacmuzik incorporates analog elements such equally Southern-styled guitar licks, languid soul melodies, and mellow 1970s funk grooves.[64] [65] It also features digital hip hop production elements such as programmed snare beats, booty bass elements,[64] ATLiens and Aquemini feature outer infinite-influenced production with echo and reverb effects.[66] With Stankonia, Outkast became the get-go hip-hop human activity to openly admit rave culture as an influence.[67] Stankonia and Speakerboxxx/The Love Below would draw on sources such equally psychedelia, gospel, funk, techno, soul, electro, and rock music.[68] During the late 1990s, rappers tended to embrace tiresome, laid-back beats in their productions. On several tracks on Stankonia, the group employed faster, more than chaotic tempos to reflect rave culture and the introduction of new drugs such as ecstasy into the hip-hop scene.[67]

I central motif of Outkast's songwriting is the duality of the ii members and their differing personalities, with Large Boi as "the player" and Andre 3000 equally "the poet".[69] Big Boi generally covers the more conventional hip-hop topics such equally his babyhood in the South, sex, and partying, while Andre 3000 discusses more unorthodox themes.[70] In contrast to much of hip hop music in the late 1990s, Outkast did non tone down its Southern regional qualities, like the harmonica break on "Rosa Parks" and distinctive Atlanta slang and diction throughout. The duo experimented with several commitment styles on the record, using "relaxed, hyper, distorted, speedy and conversational presentations."[71] Outkast frequently discusses the status of women in the Due south, and contrasts with the misogynistic attitudes common in hip-hop music. In Slate, Alex Abramovich praised the duo for "[tending] to shy away from the misogyny and violence rap is so oftentimes (and non always unjustly) condemned for."[72] In his volume Classic Material: The Hip-Hop Album Guide, Oliver Wang writes that songs such as "Slum Beautiful" and "Toilet Tisha" "reimagine 'round the way girls, non only as just more one-dimensional accessories, but every bit objects of affection with lives and concerns that are worth exploring."[73]

Collaborations and other work [edit]

During the recording of Stankonia Outkast and Mr. DJ began producing tracks for the artists on their Aquemini Records imprint through Columbia, including Slimm Cutta Calhoun and Killer Mike, who made his debut on Stankonia's "Snappin' & Trappin."

In 2002, Outkast participated in the just Dungeon Family group album, Even in Darkness, along with Goodie Mob, Killer Mike, Sleepy Brown, Witchdoctor, and Backbone amid others, and featuring Bubba Sparxxx, Shuga Luv and Mello. In 2002, the group and Killer Mike contributed the lead single "Land of a Million Drums" to the Scooby-Doo soundtrack.

On February 27, 2011, it was announced that Big Boi is creating a articulation album forth with Killer Mike and fellow Atlanta rapper Pill.[74] Later on that day, Big Boi posted on his Twitter business relationship that he was mixing Killer Mike's album entitled, PL3DGE.[75]

In 2010, Andre 3000 was featured on Ciara's remix for her hit single "Ride", from the anthology Basic Instinct.[76] On Jan fourteen, 2011, a song with Ke$ha chosen "The Sleazy Remix" was leaked.[77] On June 7, 2011, Beyoncé's song "Political party" was leaked, it features Benjamin, it is his first collaboration with the singer. It is also featured on Beyoncé's fourth studio album entitled 4 released June 24, 2011. On August 24, 2011, Lil Wayne'southward anthology Tha Carter Iv leaked, featuring a vocal entitled "Interlude" with Benjamin and fellow rapper Tech N9ne performing. Also in 2011 Andre featured on Chris Browns "Deuces" remix also as on a Lloyd song, "Dedication To My Ex (Miss That)", with Lil Wayne. In 2012 Andre besides appeared on Drake's second album Take Intendance, on the song "The Existent Her" which likewise featured Lil Wayne.

In 2012 Andre 3000 featured on the Gorillaz single "DoYaThing" with James Murphy of LCD Soundsystem. The song was released equally a free download in February that yr as function of a Antipodal promotion.

Andre 3000 was featured on Frank Ocean'south 2012 album Channel Orangish on the song "Pink Matter". On January 11, 2013, Large Boi appeared on a remix of the song, adding a verse before Andre'south. In response to the added poesy, Andre issued a statement on January 15 insisting that the rails did not plant an OutKast reunion.[78] Andre 3000 also featured uncredited vocals on Ocean's 2016 anthology Blonde on the song "Solo (Reprise)" with his verse taking up majority of the track.

Phantogram revealed in an interview with Variance Magazine in February 2014 that they plan to release an EP with Big Boi.[79] The resulting anthology Big Grams was released in September 2015.

Motion-picture show projects [edit]

Benjamin fabricated appearances in Families, The Shield (every bit Robert Huggins, a character that originated in an episode titled "On Tilt" from Season iii in 2004), Be Cool, Revolver, Semi Pro, and 4 Brothers. He was also bandage as Percival in Idlewild, released on August 26, 2006. He voiced a crow in Charlotte's Web, a movie adaptation of the 1952 children's book. Every bit of November 2006, he voiced "Sunny Bridges," a prize-winning musician who gives up touring to teach at his alma mater, in Class of 3000, an animated series he produced on Drawing Network. He has also worked with Esthero on a promotional version of "Jungle Volume" which was on a Wikked lil' grrrls sampler, merely never made information technology to the actual anthology due to problems with Esthero'south label, Warner Bros. The post-obit twelvemonth, he appeared in the basketball comedy Semi-Pro, with Woody Harrelson and Will Ferrell. He besides starred in the 2008 film Battle in Seattle, a picture almost the 1999 Seattle World Merchandise Arrangement protests. Benjamin was a member of Quentin Tarantino and Lawrence Bender's production company A Ring Autonomously until its shut in 2006; he then formed his own company, Moxie Turtle.

Big Boi appeared on Nick Cannon's Wild 'n Out Flavor three as one of the many invitee stars, as well as guest starring and appearing as a musical guest on Chappelle'south Show performing his vocal "The Rooster". He appeared in T.I.'s picture show ATL, Outkast'southward film Idlewild and starring in Who'southward Your Caddy?. He appeared in the Constabulary & Order: Special Victims Unit episode "Wild animals", which aired Nov eighteen, 2008. Big Boi played hip-hop artist "Got$ Money".

Lawsuit [edit]

In April 1999, Outkast and LaFace Records were sued by Rosa Parks over Aquemini's most successful radio single, which bears Parks' name every bit its title. The lawsuit alleged that the song misappropriates Parks' name, and information technology objected to the song'due south obscenities.[80]

The vocal's lyrics are almost unrelated to Parks, except for a reference in the chorus: "Ah ha, hush that fuss / Everybody movement to the back of the charabanc". The song, which Outkast maintained was intended partly every bit homage, refers to Parks metaphorically: the purpose of the song's chorus is to imply that Outkast is overturning hip hop's old guild, and that people should make way for a new style and sound. In the initial suit, the Commune Courtroom for the Eastern District of Michigan at Ann Arbor granted summary judgment for Outkast.

Subsequently on entreatment, the issue of whether Outkast violated the Lanham Human action for fake advertizing was reversed and remanded for further proceedings. This was based on the Court's determination that the title "Rosa Parks" had trivial artistic relevance, whether symbolic or metaphorical, to Rosa Parks the person. Parks' representation hired lawyer Johnnie Cochran to appeal the decision in 2001, but the appeal was denied. The gauge ruled that while at that place was linkage between the vocal and Rosa Parks, the song was an "expressive work" and was therefore protected by the Offset Amendment. In 2003, the Supreme Court turned down an appeal to overrule the lower court's decision.[ commendation needed ]

In December 2003, André told UK journalist Angus Batey that, following a Detroit concert in the midst of the legal battle, relatives of Parks had approached him and unsaid that the case had less to exercise with Parks than with the lawyers.[81] In April 2005, the judge in the case appointed an impartial representative for Parks after her family expressed concerns that her caretakers and her lawyers were pursuing the case based on their own financial involvement. The example was settled on xiv April 2005, with Outkast and the co-defendants, Sony BMG and its subsidiaries Arista Records and LaFace Records, admitting no wrongdoing but agreeing to develop and fund educational programs concerning Rosa Parks.[82] [83]

Discography [edit]

Studio albums
  • Southernplayalisticadillacmuzik (1994)
  • ATLiens (1996)
  • Aquemini (1998)
  • Stankonia (2000)
  • Speakerboxxx/The Love Beneath (2003)
  • Idlewild (2006)

Awards and nominations [edit]

References [edit]

Notes

  1. ^ a b c d east f k h i j k allmusic Biography
  2. ^ Lewis, Miles Marshall (August 9, 2007). "Common". Dallas Observer . Retrieved July 14, 2021.
  3. ^ "OutKast". Britannica. 1016736.
  4. ^ "The x Greatest Hip-Hop Duos of All fourth dimension". Medium. SNOBHOP. November 5, 2017. Retrieved Oct 26, 2020.
  5. ^ "Outkast's Touch on on the Hip Hop Landscape". The Next Moving ridge Chicago. January 2, 2018. Retrieved October 26, 2020.
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Sources

  • Norris C: "Funk Soul Brothers", Spin, vol. 16/12 (2000), 142–8

External links [edit]

Media related to Outkast at Wikimedia Commons

meyerbirs1975.blogspot.com

Source: https://en.wikipedia.org/wiki/Outkast

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